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Author:
Sebastian Petrou Griffith
Movie review: ‘The Brutalist’ portrays the American dream — and nightmare
Movie review: ‘Nosferatu’ lacks the soul of the original
Movie review: ‘A Complete Unknown’ is carried by Bob Dylan’s timeless songwriting
Sundance’s 2025 slate: A look ahead at the year in film
Movie review: ‘Y2K’ is just OK
Movie review: ‘Red One’ exorcises the Christmas spirit
Movie review: ‘Heretic’ starts hot then fizzles out
Movie review: ‘Conclave’ deserves early lead in 2024 race for Best Picture
Movie review: ‘Anora’ is morbidly spectacular
Movie review: A24’s latest film ‘We Live In Time’ plays it safe
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